Stella Myraf explores performative methods as
spatial practices, working at the intersection of
scenography and choreography. By understanding
the body as a sculptural scenic element, the artist
questions how spaces carry socio-political and
historical meaning and adapts gestures to negotiate
spatial narratives. Through movement research and
the translation of choreographic content, Stella Myraf
inscribes new, ‘soft’ resistances into built
environments and uses choreography as a tool for
artistic and political action.